Normally I would jump into a quick story summary here so anyone out there who hasn't seen it can get an idea what it's about. But before I do that, I need to bring up something that caught me off guard the very moment the film started. Now remember, I knew next to nothing about this film going into it. That included the cast, besides Jean Reno. What surprised me was to see Natalie Portman's name fly up onto the screen. I have seen her in so many movie lately it's insane! Black Swan, Thor, Hesher, Your Highness, and not long ago I saw her in Closer as well! I've seen all those movies except for Hesher which is proving to be hard to find still in theaters so it'll have to wait. She just seems to be everywhere all of a sudden, not that that is a bad thing. I quite like her, and Black Swan was possibly my favorite movie of last year. Anyways, there's my mini-rant, now back to your regularly scheduled program.
Leon is the perfect killer. You never know where he's coming from, and if he has your number, than it's safe to assume it's up. Leon isn't all cold steel and death though, as we see he has a soft spot for children as he makes simple conversation with a girl who lives in his apartment building. The girl, Mathilda, has a pretty rough life to say the least. Without giving too much away, Mathilda ends up in the care of Leon, and he must now decide what to do with her. Making matters more complicated, she soon discovers what he does, and requests to be trained. Taking care of a 12-year-old girl is one thing, training her as an assassin, or "cleaner" as they put it, is something else entirely.
Jean Reno towers over a miniature Natalie Portman |
To say this film is beautiful shot is a massive understatement. I don't think I've seen a movie shot quite like this. Director Luc Besson did a marvelous job bringing the city of New York to life and showing the massive scale of it with long shots down endless city streets. He also doesn't show things in the standard way you might expect. The opening action scene is done so well, and how it seems he just comes out of the shadows and there's nothing else of him but what you can see. Only seeing things in reflections, it's all very well done. There's also an incredibly powerful shot at one point of a gun firing, but all you see is how the muzzle flash lights up the rest of the room. You don't see the gun, you don't see a person, just the light flashing on the walls. It's amazing.
Time for a lesson. Start with rifles, work your way towards the knife. The more professional you get, the closer you can get to your target |
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